Journal

Art, space and material

A growing archive where I write about botanical fine art photography, dark backgrounds, Diasec® finishing and the way one image can change a room.

Studio

Featured story

My grandmother's flowers

A personal essay on my grandmother’s garden, a first camera, natural light and the origins of my botanical fine art photography.

The flower-filled garden of Beate Marie's grandmother

Studio

What you do not see in the photograph

Beate Marie shares the memories, observations and moments that come before her photographs of flowers.

A green hydrangea, a quiet memory of grandmother’s garden

Collecting

What an artwork certificate records

The details that connect a photographic artwork to its maker, finish and limited edition.

Phoenix presented as a photographic Diasec wall object

Collecting

What does a limited edition really mean?

A considered collector’s guide to edition size, numbering, provenance and the commitments that give a limited photographic edition meaning.

Sun Queen, a gold and orange dahlia against a dark background

Making

Then the making begins

Why a Diasec® artwork is produced after an inquiry is confirmed, what happens next and how planning is agreed.

Interior visualisation of Golden Column as a finished wall object

Light

When colour disappears

On black-and-white botanical fine art photography, texture, form, light and the quiet tension that remains when colour no longer carries the attention.

Black-and-white botanical study of flowers in a vase as a wall object

Finish

What is Diasec® and why do I use it?

An explanatory piece on acrylic glass, dibond, framing on request, depth and why Diasec suits dark botanical fine art photography.

Detail of a photographic artwork presented behind acrylic glass

Interior

Why dark botanical art calms modern interiors

Dark botanical art brings focus, calm and depth to modern interiors without becoming decorative or loud.

Interior visualisation of botanical fine art photography featuring a hydrangea

Light

The role of shadow in botanical fine art photography

On chiaroscuro botanical photography, Rembrandt-like light and why shadow gives a flower more presence.

Red amaryllis flowers with petals emerging from shadow

Collecting

How do you choose fine art photography for an interior?

A guide to scale, viewing distance, light, material, edition and placement when choosing fine art photography for interiors.

Interior visualisation of the square artwork Turned Within on a wall

Material

What makes a photographic print collectible?

On fine art prints, Diasec acrylic glass, dibond, framing on request and the details that make a print collectible.

A photographic wall object with acrylic glass in an interior presentation

Continue exploring

View the available artworks, finishes and editions.

View the works